Bonampak — archaeological site
Oleksii0 · CC BY-SA 3.0

Bonampak

  • 2 min read
  • 16.704° N 91.065° W

Interesting facts

  • Infrared images revealed glyphs reading "5 pi kakaw" beneath a throne in Room 1, which may record a tribute of 40,000 cacao beans.
  • In Room 3 infrared photography showed that a kneeling figure, whose paint had fully eroded, holds the still-beating heart of a sacrificed captive.
  • The doorways of the Temple of the Murals are only about 1.75 metres high, so no noble in full regalia could enter without bowing.
  • Only about a third of the 281 painted figures are named; roughly one in ten has a caption box that was deliberately left blank.
  • Room 2 alone holds 139 figures, more than Room 1 with 77 or Room 3 with 65.
  • The building's exterior was framed like a giant painted vase, with a band of some eighty glyphs wrapping around it.
  • The carved lintels over the three doorways show rulers seizing captives, two of them dated to January AD 787.
  • Painted parasols in Room 1 frame a hieroglyphic text in a way that has been likened to the only quotation marks known from the pre-Columbian Americas.
  • Bonampak's ancient name was Ake, and locally it was known as Usiij Witz, "Vulture Hill".
  • Stela 2 shows the ruler performing a bloodletting rite with his mother, who holds stingray spines, and his wife from Yaxchilan.

Why it is worth it

Bonampak is a modest Maya site in eastern Chiapas, near the Guatemalan border, but one building there holds the most complete set of paintings to survive from the Classic Maya world. Structure 1, the Temple of the Murals, is a three-room building 16 metres long and about 7 metres high on a T-shaped platform. Every surface inside was painted — walls, vaults, even the black floors — with some 281 human figures, many of them labelled with glyphic captions, telling a single story from court ceremony to battle to sacrifice and celebration.

The murals were made around AD 790, when Bonampak was a dependency of the larger city of Yaxchilan, some 30 km to the north on the Usumacinta River. Read in order, Room 1 shows the presentation of the young heir Chooj before the court, with dancers in towering feather back-racks and musicians with drums, rattles and turtle shells. Room 2, the largest, holds what has been called the greatest battle scene in Maya art. Victorious warriors wear jaguar elements and seize their enemies by the hair. Defeated fighters are painted left-handed and dressed in bird regalia, and on the north wall captives sit bleeding at the feet of the ruler Yajaw Chan Muwaan. Room 3 shows the victory rites: nobles dancing with quetzal-feather headdresses, women of the court drawing blood from their tongues with stingray spines. A tomb found beneath Room 2 in 2010 held a man buried with jade ornaments and a stone knife.

The paintings were seen by outsiders only in 1946, when local Lacandon Maya, who still came to the ruins to pray, guided American visitors there; the photographer Giles Healey was the first to be shown the painted rooms. From 1996 a Yale University team led by Mary Miller recorded the murals with infrared photography, recovering glyphs and details no longer visible to the eye. The site's history before the murals is one of rivalry: in the 5th and 6th centuries Bonampak lords were repeatedly captured by Yaxchilan, and by about 600 the city had become its satellite. Its Great Plaza also holds Stela 1, an almost six-metre portrait of the ruler carved from a single thin slab, among the tallest stelae in the Maya region. Bonampak fell into decline with Yaxchilan in the 9th century.

Getting there

The town of Tenosique is about 93 km away in a straight line. The nearest airport by distance is Mundo Maya International Airport (FRS) at Flores in Guatemala, about 130 km away across the border; within Mexico the usual approach is by road from Palenque, which has its own airport (PQM), while Tuxtla Gutiérrez's Ángel Albino Corzo International Airport (TGZ) is about 210 km away.

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From the encyclopaedia

Bonampak is an ancient Maya archaeological site in the Mexican state of Chiapas. The site is approximately 30 km (19 mi) south of the larger site of Yaxchilan, under which Bonampak was a dependency, and the border with Guatemala. While the site is not overly spatial or abundant in architectural size, it is well known for the murals located within the three-roomed Structure 1. The construction of the site's structures dates to the Late Classic period. The Bonampak murals are noteworthy for being among the best-preserved Maya murals.

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