
Gare de Limoges-Bénédictins
Limoges-Bénédictins
Interesting facts
- In 2022 internet users voted it the most beautiful station in France in a poll run by SNCF Gares & Connexions, beating Saint-Brieuc and Troyes in the final.
- Four caryatids personify regions once served by the Paris-Orléans company: Brittany with shells and fish, Gascony with grapes, Limousin with porcelain and chestnuts, Touraine with a rose.
- Brittany is the only one of the four caryatids shown veiled, and Gascony the only one carved from behind.
- Francis Chigot's stained glass covers some 775 square metres, with chestnuts, oak leaves and acorns worked into the foliage.
- The copper dome measures about 33 metres across and is crowned by a glazed lantern seven metres wide, ringed with copper horns of plenty overflowing with fruit.
- The 67-metre campanile has thirteen levels and four clock faces, each about four metres wide, topped by a five-metre ornamental vase.
- Large statues beside the main entrance symbolise Limoges enamel and porcelain, while reliefs above the doors show Ceres and Mercury, god of commerce and travellers.
- In 1908 the public works minister Louis Barthou called the cramped old station unworthy of the city, and the government asked the railway company to plan a new one.
- In 2008 Jean-Pierre Jeunet filmed Audrey Tautou running across its forecourt for a Chanel No 5 commercial themed on the Orient Express.
- A sign reserving an underground passage beneath the tracks for the Wehrmacht, used as an air-raid shelter in the Second World War, still survives.
Why it is worth it
Few provincial towns can claim a railway station that looks like a cathedral of the machine age, but Limoges can. The Gare des Bénédictins takes its name from the Benedictine convent that once occupied the site, and it was raised between the mid-1920s and 1929 for the Compagnie du Paris-Orléans to designs by the architect Roger Gonthier. It opened on 2 July 1929, replacing two earlier stations — a wooden shed of 1856 and a stone building of 1860 — and immediately became the emblem of a city better known for its porcelain.
What makes the building unusual is where it stands: not beside the tracks but on top of them. Gonthier set the station on a vast concrete deck, roughly 90 by 78 metres, thrown across the cutting where ten lines run below, so trains glide beneath the concourse rather than alongside it. Above the deck rise the two shapes everyone remembers — a copper-clad dome some 31 metres high over the waiting hall, and a slender campanile more than sixty metres tall, crowned with a small dome and a finial, with a clock on each face. The structure is a concrete skeleton dressed in pale limestone, and the whole composition hovers between Art Deco geometry and older ideas of civic grandeur.
Inside, look up and then look closely. The great hall is lit through stained glass by Francis Chigot, the Limoges master glassmaker, whose windows mix geometric patterns with foliage, including the chestnut leaves of the Limousin countryside. Alongside them stand allegorical sculptures by Henri Varenne. The station was listed as a historic monument in 1975, and when fire broke out beneath the dome on 5 February 1998, the copper cupola was rebuilt exactly as it had been — a sign of how much the building means to the people of Limoges, who treat it as a civic landmark as much as a place to catch a train. The tourist office runs guided visits of the building.
Getting there
The station stands on Place Maison-Dieu, about 1.6 km from the historic centre of Limoges. Limoges Airport (LIG) is roughly 7.5 km away. Intercités trains on the Paris–Toulouse line call here, along with regional TER services towards Poitiers, Angoulême, Brive-la-Gaillarde and Bordeaux, so the simplest way to see the building is simply to arrive by train.
On these lists
From the encyclopaedia
Limoges-Bénédictins is the main railway station of Limoges. It is situated on the Orléans–Montauban railway. It was named Bénédictins due to the presence of a Benedictine monastery closed during the French Revolution.
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