Ibrahim Rouza — mausoleum
Akshatha · CC BY-SA 3.0

Ibrahim Rouza

  • 2 min read
  • 16.827° N 75.702° E

Interesting facts

  • The flat stone ceiling of the tomb chamber, about 40 feet square, is built of slabs set edge to edge and held largely by mortar, supported only by a cove.
  • Inscriptions give Taj Sultana three blocks of about six lines each, while her husband, the sultan, receives only a couple of lines.
  • Taj Sultana is recorded as spending one and a half lakh huns on the work, and the Abyssinian eunuch Malik Sandal added further funds.
  • The calligrapher signed his name again and again inside square and triangular frames, an unusual practice on an Islamic monument.
  • According to tradition, the entire text of the Quran is inscribed across the four outer walls of the burial chamber.
  • The complex once had around thirteen water features, though most no longer work.
  • The lotus-petal bases beneath both domes echo an ideal of kingship that scholars trace back to Buddhist sources.

Why it is worth it

Two buildings of nearly identical silhouette face each other across a fountain on a raised stone platform: a tomb and a mosque, each crowned by a bulbous dome set on a ring of lotus petals and ringed by slender minarets and clusters of miniature domed turrets. The Ibrahim Rauza in Vijayapura (formerly Bijapur) in Karnataka is one of the finest achievements of the Adil Shahi sultans, and its graceful skyline earned it the nicknames "the Black Taj Mahal" and "the Taj of the South".

The complex was completed in 1036 AH (1626–27) after more than eight years of work. It is named after Sultan Ibrahim Adil Shah II, the great patron under whom Bijapur reached its artistic and economic peak, and he is buried here, but Persian inscriptions on the walls show that it was commissioned by his wife, Taj Sultana, perhaps originally as her own tomb. The work was overseen by Malik Sandal, an Abyssinian courtier, and the calligrapher Sayyid Naqi al-Din al-Husaini signed his work repeatedly on the walls. The burial chamber holds six cenotaphs, of the sultan, Taj Sultana and other members of the family.

The mausoleum, slightly larger than the mosque, is where the stone-carving reaches its height. A double veranda surrounds the burial chamber; the inner ceilings are carved with floral medallions, and the windows are filled with pierced stone screens made of calligraphy, an unusual twist on the Indian jali. The volume of carved inscriptions across the complex is exceptional among Islamic monuments of the subcontinent. Lotus motifs, hanging stone bosses and repeated miniature versions of the main dome blend Islamic and Indian traditions. Inside, the chamber is almost bare, a room some 13 metres square and 10 metres high whose plainness contrasts with the richly worked façades. The mosque, decorated mainly in stucco, keeps a carved stone chain with a lotus medallion hanging from its ceiling.

Vijayapura was the capital of the Adil Shahi sultanate, founded in the fifteenth century, which ruled from here for almost two hundred years. The complex stands just outside the Mecca Darwaza, the western gate of the old walled city, on the road that once led to the sultan's new city of Nauraspur. It is a Monument of National Importance under the Archaeological Survey of India.

Getting there

Ibrahim Rauza is on the western edge of the old city of Vijayapura, about 1.5 km from the centre; Vijayapura railway station serves the city. The nearest airports are Kalaburagi Airport (GBI), about 144 km away, and Kolhapur Airport (KLH), about 152 km away in a straight line.

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From the encyclopaedia

The Ibrahim Rauza, also known as the Ibrahim Rawza, is a funerary complex featuring a mausoleum, a mosque and extensive gardens, located in Bijapur, in the state of Karnataka, India. The buildings are very similar in style, with a fountain between them. Following the example of many Indo-Islamic monuments, the buildings are raised on a plinth within an enclosed gated space. The complex was built in 1036 AH (1626/1627 CE) by Taj Sultana, the wife of Sultan Ibrahim Adil Shah II. The construction process reflects the magnificence of the building that took more than eight years to finish. It is by far one of the most remarkable artistic achievements of the Adil Shahi dynasty, who established a Sunni Sultanate in Bijapur in the 15th century and ruled for almost two hundred years.

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