Konark Sun Temple — temple
Souravdas1987 · CC BY-SA 4.0

Konark Sun Temple

  • 2 min read
  • 19.887° N 86.095° E
  • UNESCO World Heritage

Interesting facts

  • According to legend, 1,200 craftsmen toiled for twelve years, and the master builder's 12-year-old son Dharmapada set the final crowning stone, then leapt to his death to shield them.
  • Unusually for a Hindu temple, its planning and building records survived on palm-leaf manuscripts in Sanskrit, written in Odia script and found in a village in the 1960s.
  • The seven stone horses carry the names of seven metres of Sanskrit verse, among them Gayatri, Jagati and Trishtubh.
  • Three kinds of stone were used: khondalite for most of the building, chlorite for door frames and some sculpture, and laterite for the platform core, none of them found nearby.
  • The Aruna pillar, a single block of chlorite about 10 metres tall, was hauled away in the late 18th century by a Maratha monk to stand at Puri's Lion's Gate.
  • In the 16th century Abul Fazl's Ain-i-Akbari described Konark as a flourishing temple that left visitors amazed, with no word of ruins.
  • The name joins two Sanskrit words, kona, meaning corner or angle, and arka, meaning the sun.
  • Rabindranath Tagore wrote that at Konark the language of stone goes beyond the language of humans.
  • The Warrior and Horse sculpture from the temple grounds is the model for the official state emblem of Odisha.
  • Jhumpa Lahiri set the title story of her Pulitzer-winning collection Interpreter of Maladies around a family's visit to the Sun Temple.

Why it is worth it

The Sun Temple at Konark, on the coast of Odisha in eastern India, was built around 1250 by King Narasimhadeva I of the Eastern Ganga dynasty as a stone chariot for Surya, the sun god. The whole temple is carved as a vehicle: it rests on twenty-four elaborately carved stone wheels, each about three metres across, and was drawn by a team of seven stone horses, matching the seven horses of Surya's chariot in Hindu texts; the twelve pairs of wheels are read as the months of the year. It is the high point of the Kalinga style of temple architecture and has been a World Heritage Site since 1984.

What stands today is the jagamohana, the great assembly hall, rising in three receding tiers of stepped roofs. The main sanctum behind it, whose tower is estimated to have been about 70 m high, collapsed in 1837, and the cause of the temple's decline is still debated. In 1903, to stop the hall from falling, the colonial authorities sealed it and filled it with sand; in September 2022 the Archaeological Survey of India began removing the sand to reinforce the structure from inside. Seen from the sea, the dark mass of the temple was a landmark for sailors, who called it the Black Pagoda as early as 1676, in contrast to the White Pagoda of the Jagannath temple at Puri.

The carving is the reason to come. The wheels are covered in fine relief, down to the medallions on their spokes, and they are often described as working sundials. The platform friezes show elephants, soldiers, hunters, caravans and scenes of daily life; musicians and dancers line the terraces of the roof; and the upper levels hold larger images of deities, among them Durga. Like the temples of Khajuraho, Konark is known for its erotic kama and mithuna sculpture. In front of the hall stands the Nata Mandira, a richly carved dance pavilion, and the complex includes the remains of a dining hall, a kitchen and the older Mayadevi temple, found in 1909 while clearing sand. The temple faces east, so the first light of sunrise strikes its entrance.

Much of the temple's sculpture was taken away over the centuries: the Aruna pillar that stood before the entrance now stands at the Jagannath temple in Puri, and pieces went to the Indian Museum in Kolkata and the British Museum. Fallen sculpture from the site is displayed in the Konark Archaeological Museum, run by the Archaeological Survey of India. The temple appears on the Indian ten-rupee note, and each year pilgrims gather nearby for the Chandrabhaga Mela, around February.

Getting there

The temple is in the town of Konark, about 35 km northeast of Puri and 65 km southeast of Bhubaneswar. Biju Patnaik International Airport (BBI) in Bhubaneswar is about 50 km away, and both Puri and Bhubaneswar are major railway hubs, from which visitors continue by road.

On these lists

From the encyclopaedia

Konark Sun Temple is a 13th-century CE Hindu Sun temple at Konark about 35 kilometres (22 mi) northeast from Puri city on the coastline in Puri district, Odisha, India. The temple is attributed to king Narasingha Deva I of the Eastern Ganga dynasty about 1250 CE. Dedicated to the Hindu Sun-god Surya, it reflects the pinnacle of Kalingan architecture and artistic excellence, what remains of the temple complex has the appearance of a 30-metre (100 ft) high chariot with immense wheels and horses, all carved from stone. Once over 61 metres (200 ft) high, much of the temple is now in ruins, in particular the large shikara tower over the sanctuary; at one time this rose much higher than the mandapa that remains. The structures and elements that have survived are famed for their intricate artwork, iconography, and themes, including erotic kama and mithuna scenes. Also called the Surya Devalaya, it is a classic illustration of the Odisha style of Architecture or Kalinga architecture.

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