Luis Barragán House and Studio — museum
Ymblanter · CC BY-SA 3.0

Luis Barragán House and Studio

  • 2 min read
  • 19.411° N 99.192° W
  • UNESCO World Heritage

Interesting facts

  • The yellow glow of the vestibule comes partly from a gold-leaf painting by Mathias Goeritz, one of his Metachromatic Messages, hung above the stairs.
  • The living room's great garden window is a single sheet of glass divided by mullions into a cross, an echo of Barragán's Catholic faith.
  • The house and studio together cover about 1,160 square metres, including the garden.
  • Barragán kept moving windows after the building was finished, treating the house as a work in progress for four decades.
  • His dressing room is known as the room of the Christ, after the crucifix that hangs there, and the bedrooms have an almost monastic austerity.
  • The roof terrace is enclosed by walls painted blood red, dark grey-brown and white, so that only the sky remains visible above them.
  • The library holds around 3,000 books and publications, alongside Barragán's personal papers and photographs.
  • A courtyard behind the house is named the Patio of the Pots after the clay vessels gathered in it.
  • UNESCO inscribed the house for its influence on garden, plaza and landscape design, blending modernist and traditional Mexican elements.

Why it is worth it

From the street, the house that Luis Barragán built for himself in Tacubaya, in western Mexico City, gives almost nothing away: a tall, plain rendered wall the colour of its neighbours, a few small windows, two doors. That refusal is the point. Barragán, the Guadalajara-born architect who won the Pritzker Prize in 1980, turned the house inward, and it is the rooms, light and garden behind that blank front that made it, in 2004, the only private residence in Latin America on UNESCO's World Heritage List.

Barragán moved in in 1948 and lived here until his death in 1988, altering the building constantly, so that it served as a laboratory for his ideas. The route through it is a deliberate sequence. A small, dim entrance with volcanic-stone flooring acts as a buffer against the street; it opens into a tall vestibule washed in yellow light, with one wall painted fuchsia; then, past a low threshold, comes the living room, double height under wooden beams, whose great window frames the garden. The garden itself was left to grow semi-wild behind high walls, and it looks larger than it is because it borrows the neighbours' trees. Upstairs, reached by stone stairs without railings, are the bedrooms, an "afternoon room" and the roof terrace.

The house explains why Barragán matters. He combined the massing and privacy of traditional Mexican building with the free-flowing space of modernism, and used colour, strong and deliberately unharmonious, as a building material. Rooms have different heights and floor levels, most spaces need no artificial light by day, and the rooms keep his original furniture and his collection of art, mostly Mexican from the sixteenth to twentieth centuries, with pieces by Picasso, Diego Rivera, José Clemente Orozco and Jesús Reyes Ferreira, the painter who shaped his sense of colour.

The house has been a museum since 1994, owned by the State of Jalisco and the Fundación de Arquitectura Tapatía Luis Barragán.

Getting there

The house is at General Francisco Ramírez 12–14, in the Miguel Hidalgo borough, about 2.6 km from Polanco. Mexico City International Airport (MEX) is about 13 km away.

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From the encyclopaedia

Luis Barragán House and Studio, also known as Casa Luis Barragán, is the former residence of architect Luis Barragán in Miguel Hidalgo district, Mexico City. It is owned by the Fundación de Arquitectura Tapatía and the Government of the State of Jalisco. It is now a museum exhibiting Barragán's work and is also used by visiting architects. It retains the original furniture and Barragán's personal objects. These include a mostly Mexican art collection spanning the 16th to 20th century, with works by Picasso, Diego Rivera, José Clemente Orozco, Jesús Reyes Ferreira, and Miguel Covarrubias.

Wikipedia · CC BY-SA 4.0

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